The false door is composed of two elements: the door opening itself and the drum above it. The central scene shows the tomb owner striding towards the right, dressed in a festive garment with a panther skin. He is holding the staff of his office and a sceptre in his hands. His wife stands behind him with her left arm around his shoulders. She is wearing a long tight-fitting dress and a long wig. The couple's daughter, Nedjet-pet, is represented in front of them on a much smaller scale, placing her hand on her breast in a respectful greeting. In the lower scene, two offering bearers are depicted bringing geese, a jug of milk, and a basket full of bread. The two men wear a lotus flower as a necklace around their necks. A scribe with an incense burner in his hands stands opposite them.
"[1] 'Atju' (a police official) Ankh (and the) 'Mitiret' (common female title) Nefret-ka" "[2] 'Atju' (a police official) Ankh (and the) 'Mitiret' (common female title) Nefret-ka" "[3] Nedjet-pet" (name of the daughter) "[4] Iru-ka" (name of the servant) "[5] Nefer-wawet" (name of the servant) "[6] The scribe Tjenti"
Bibliography
Junker, H., Gîza V : Die Mastaba des Snb (Seneb) und die umliegenden Gräber (Akademie der Wissenschaften in Wien: Philosophisch-historische Klasse, Denkschriften 71.2), Wien; Leipzig 1941, S. 151-154, Abb. 44, Tf. 14 a. 15.
Kayser, H., Die ägyptischen Altertümer im Roemer-Pelizaeus-Museum in Hildesheim, Hildesheim 1973, S. 50, Abb. 14.
Porter, B. & Moss, R.L.B., Topographical Bibliography of Ancient Egyptian Hieroglyphic Texts, Reliefs, and Paintings, vol. III².1 : Memphis, Oxford 1974, S. 100.
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Eggebrecht, A. (Hrsg.), Pelizaeus-Museum Hildesheim : Die ägyptische Sammlung, Hildesheim - Mainz 1993, Abb. 29.
Seipel, W., u.a., Ägypten : Im Reich der Pharaonen; Auf der Suche nach Schönheit und Vollkommenheit, Leoben 2001, Kat.-Nr. 190.
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