The Global Egyptian Museum

EnglishFrançaisDeutschNederlandsItalianoEspagnolPortugueseArabic

الموقع الحالي

رقم التسجيل الدولي

رقم التسجيل

نوع الأثر

التصنيف

تصنيف الأثر

الوصف

The statue belongs to the group of clock statues representing a man sitting with upraised knees and arms folded on them; the body and limbs are shaped as a generalised cuboud form. Maniamun, the scribe of the count of corn, wears a short artificial beard and a pleated wig reaching his shoulders and leaving his ears exposed; his own hair is seen on the temples. The face is finely carved, the nose is straight, the lips are rather full; the eyebrows and eyelids are not carved but only painted. The face and hands are painted reddish-brown, the wig, beard, eyebrows, eyelids, pupils are black. The front surface of the statue is covered by sis lines of hieroglyphic inscription containing the offering formula, the name and title of Maniamun and filiation. The face of Maniamun reminds that of Amenhotep II, which in the light of the New Kingdom tradition to reproduce the features of the ruling kings in private sculpture is a reliable dating criterion.

The statue belongs to the group of clock statues representing a man sitting with upraised knees and arms folded on them; the body and limbs are shaped as a generalised cuboud form. Maniamun, the scribe of the count of corn, wears a short artificial beard and a pleated wig reaching his shoulders and leaving his ears exposed; his own hair is seen on the temples. The face is finely carved, the nose is straight, the lips are rather full; the eyebrows and eyelids are not carved but only painted. The face and hands are painted reddish-brown, the wig, beard, eyebrows, eyelids, pupils are black. The front surface of the statue is covered by sis lines of hieroglyphic inscription containing the offering formula, the name and title of Maniamun and filiation. The face of Maniamun reminds that of Amenhotep II, which in the light of the New Kingdom tradition to reproduce the features of the ruling kings in private sculpture is a reliable dating criterion.

موقع الإكتشاف

مصدر الأثر

المادة

تقنية الأثر

حالة حفظ الأثر

الألوان

الارتفاع

(cm)

العرض

(cm)

الطول

(cm)

العمق

(cm)

القطر

(cm)

الوزن

(grs)

التأريخ

التأريخ -نص حر

معيار التأريخ

معبودات

ملوك

الأشخاص

mAA-nj-jmn

DHwtj-Htp

djdjw

الكتابة
اللغة
نوع النص
محتوى النص
تقنية الكتابة
حالة حفظ النص
هيروغليفي \|1-#b-sw-di-#e-Htp:tp#13-i-mn:n-ra:Z1-sw-..:Z2-nTr-ir:stA40-xnt-n:t-R14-tt:N25-! \|2-#b-nTr-aA\r3-S38-#e-D:t:N18-D37:z:n:Z2-O3-F1H1:Z2-S113-R7-W2-W15-N35:N35:N35-! \|3-i#-ir:pW23#12-i-ir:r:tt-W20:Z2-xt:nb:t-nfr:t-D60:t-D38:tZ2-M7-t:nb-! \|4-s-s-n:tD19-P5-M29-m-n:V22-H-i-i-t:P5-n:kAZ1:n-Y4-Aa2-U10:N33N33N33-! \|5-mA:ir-A-A-n:A1-i-mn:n-ir:n-F20:S13-i-i-a:N33N33N33-! \|6-G26-t:Z4\-Htp:t*p-ms-s-n:n:nb:t-pr:Z1-D37:D37-i-w-B1-!
الترجمة الصوتية (1) Htp [dj (nj)-sw.t] imn-ra nj-sw.t nTr.w wsjr xnt(j)-jmn.tjw (2) [nTr aA HqA] D.t dj.sn pr.t-xr.w tA Hnq.t kA.w Apd.w Ssr mnx.t snTr mrH.t qbH (3) [jr]p jrt.t x.t nb.t nfr.t wab.t dj.wt rnp.wt nb (4) ssn.t nDm n mHjj n kA sS Hsb jt (5) mAA-nj-jmn jr n jmj-rA nbjj.w (6) DHwtj-Htp ms n nb.t pr djdjw
الترجمة (1) A boon given by the king (to) Amun-Re, king of the gods, (and) Osiris-Khentimentiu, (2) great god, lord of eternity, that they may give invocation of bread, beer, cattle, fowl, alabaster, clothing, incense, ointment, cold water, (3) wine, milk, all good (and) clean things, flourishing provisions, (4) breathing sweet northern wind for the Double of the scribe of the count of corn (5) Maniamun, made by the overseer of goldsmiths (6) Thutmes born of the lady of the house Dediu. (1) A boon given by the king (to) Amun-Re, king of the gods, (and) Osiris-Khentimentiu, (2) great god, lord of eternity, that they may give invocation of bread, beer, cattle, fowl, alabaster, clothing, incense, ointment, cold water, (3) wine, milk, all good (and) clean things, flourishing provisions, (4) breathing sweet northern wind for the Double of the scribe of the count of corn (5) Maniamun, made by the overseer of goldsmiths (6) Thutmes born of the lady of the house Dediu.

طريقة الاكتساب

سنة اكتساب الأثر

قصة الأثر

Unrecorded; probably from the collection of Castiglione.

آثار أخرى مرتبطة بالأثر

المرجع الفوتوغرافي

محرر بطاقة البيانات

تاريخ التسجيل الأول لبيانات البطاقة

تاريخ أخر تحديث لبيانات البطاقة

مراجع و مؤلفات

Golenischeff W., Ermitage Imperial. Inventaire de la collection egyptienne. S.l., 1891, p.89, no741.
Matthieu M.E., Iskusstvo Novogo tsaratva........., p.94, tab.XXIII.
Matthieu M.E., Pavlov V.V., Pamyatniki iskusstva drevnego Egipta v museyah Sovetskogo  Soyuza. Moscow, 1958, fig.32.
Matthieu M.E., Iskusstvo drevnego Egipta. Moscow, 1961, p.258, fig.125.
Matthieu M.E., Ermitazhnaya statuya pistza Maani-Imen. "Izvestiya GAIMK",v.IX, no.3, Leningrad, 1931, pp.1-9.
Lapis I.A., Matthieu M.E., Drevneegipetskaya skul'ptura v sobranii Gosudarstvennogo Ermitazha. Moscow, 1969, pp.71-73, cat.no.68, tab.I,68, fig.42.
Schulz R., Die Entwicklung und Bedeutung des kuboiden Statuentypus. Hildesheim, 1992, no.206, p.359, tab. 92d.
Vandier J., Manuel d'arch#ologie #gyptienne III. Paris, 1958, p.452,455.
Landa N.B., Lapis I.A., Egyptian Antiquities in the Hermitage. Leningrad, 1974, pl.34.

تعليق عام

For parallels see CG 547, 563, 566, L.Borchardt, Statuen und Statuetten von Konigen und Privatleuten I. Kairo, 1911, Bl.91, 95, 96.

Preservation: 
The left knee is damaged. The greater part of pigments is lost.

الصور	Attachments