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Basic Info
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Textual Data
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International Inventory number
Inventory number
Designation
Translation:
D
E
F
G
I
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S
A
Category
Typology
Description
A plain wooden shabti, with the remains of a thick, black coating, possibly bitumen or varnish, the black colour of which had religious significance. On the back of the figure are the remains of a basket painted in yellow, all other trace of colour is now lost. The features are carved, the arms folded across the chest and the figure wears a long wig. No text remains.
Translation:
D
E
F
G
I
P
S
A
Effen houten oesjabti met de resten van een dikke zwarte deklaag, mogelijk bitumen of vernis, waarvan de zwarte kleur een religieuze betekenis had. Op de rug van de figuur is nog deel een in geel opgebrachte korf te zien, maar alle andere kleursporen zijn verloren gegaan. De trekken zijn uitgesneden en de armen voor de borst gevouwen. De pruik is lang. De tekst is verloren gegaan.
Ouchebti simple en bois sur lequel subsistent les traces d'une épaisse couche de matière noire, peut-être du bitume ou du vernis. Cette couleur revêtait une signification religieuse. Le dos de la figure porte les vestiges d'un sac peint en jaune, toute autre trace de peinture ayant disparu. Les traits du personnage sont sculptés. Ses bras sont croisés sur la poitrine et il porte une longue perruque. Aucune inscription n'a survécu.
Ein einfaches Holzuschebti mit Resten eines dicken schwarzen Überzugs aus Bitumen oder Firnis, dessen schwarze Farbe eine religiöse Bedeutung hatte. An der Rückseite der Figur sind Reste des gelb aufgemalten Korbes zu sehen, alle anderen Farbspuren sind verloren. Die Gesichtszüge sind geschnitzt, die Arme sind über der Brust gekreuzt und die Figur trägt eine lange Perücke. Es sind keine Texte erhalten.
Semplice usciabti in legno, con tracce di uno spesso rivestimento, probabilmente bitume o vernice, il cui colore nero aveva un significato religioso connesso ad Osiride. Sulla parte posteriore della figura è possibile vedere i resti di un cesto dipinto in giallo. mentre tutte le altre tracce di colore sono ora perdute. I lineamenti sono intagliati e le braccia sono incrociate sul petto, mentre la figura porta una lunga parrucca. Nessun testo risulta visibile.
Estatueta funerária em madeira, sem decoraçao, com vestígios de camada espessa, possívelmente betume ou verniz, a cor preta da mesma tem significado religioso. Na parte de trás da figura surgem vestígios de cesto pintado em amarelo, vestígios de utilizaçao de outras cores estao hoje completamente perdidos. Os traços fisionómicos encontram-se gravados, os braços dobrados sobre o peito e a figura usa peruca longa. Nao apresenta vestígios de texto.
Un sencillo ushebti de madera, con restos de un grueso revestimiento negro, probablemente betún o barniz, cuyo color tiene significado religioso. En la espalda de la figura hay restos de una cesta pintada de amarillo; todos los demás restos de color se han perdido. Los rasgos están tallados; los brazos están cruzados sobre el pecho y la figura lleva una larga peluca. No quedan restos de texto.
A plain wooden shabti, with the remains of a thick, black coating, possibly bitumen or varnish, the black colour of which had religious significance. On the back of the figure are the remains of a basket painted in yellow, all other trace of colour is now lost. The features are carved, the arms folded across the chest and the figure wears a long wig. No text remains.
Archaeological Site
Provenance
Materials
Technique
Preservation
Colours
Height
(cm)
Width
(cm)
Length
(cm)
Depth
(cm)
Diameter
(cm)
Weight
(grs)
Dating
Dating (free text)
Dating Criterion
Gods
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Persons
Writing
Language
Category of text
Text Content
Writing Technique
Preservation of Text
Hieroglyphs
Transliteration
Translation
Translation:
D
E
F
G
I
P
S
A
Acquisition
Year of Acquisition
Object''s History
From the private collection of Joseph Mayer, given to the Museum in 1867.
Associated Objects
Photographic references
Editor of record
First Registration Date
Last Update
Bibliography
H.M Stewart; " Egyptian Shabtis", (1995) p. 22.
General Comment
Provenance: See Comment above. Site: Tomb of Sethos I. Preservation: The paint and most of the thick coating are now lost.
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