The Global Egyptian Museum

Dit reliëf-fragment, waarschijnlijk afkomstig uit de dodentempel van Deir el-Bahari, stelt koningin Hatsjepsoet met de atef-kroon voor. De aanwezigheid van deze goddelijke kroon toont aan dat de koningin hier de gedaante van Amon-Re aanneemt, de mannelijke scheppergod. Rechts ziet men het onderste deel van een cartouche die de naam van Thoetmosis II bevat, de echtgenoot en voorganger van Hatsjepsoet, hetgeen aantoont dat dit reliëf bewerkt en daarna gerestaureerd is. Diverse kleursporen zijn nog zichtbaar.

This fragment of relief, which probably comes from the funerary temple of Deir el-Bahari, represents queen Hatshepsut dressed in an atef-crown. The presence of this divine crown demonstrates that the queen takes here the aspect of Amun-Re as that of male creator god. On the right, one notices the lower part of a cartouche which contains the name of Thuthmosis II, husband and predecessor of Hatshepsut, which proves that the relief has been hammered and then restored. On the piece several traces of colour remain.

Ce fragment de relief, qui provient vraisemblablement du temple funéraire de Deir el-Bahari, représente la reine Hatchepsout coiffée de la couronne-atef. La présence de cette couronne divine démontre que la reine prend ici l'apparence d'Amon-Rê en tant que dieu mâle créateur. A droite, on distingue la partie inférieure d'un cartouche qui contient le nom de Thoutmosis II, mari et prédécesseur d'Hatchepsout, ce qui prouve que le relief a été martelé et ensuite restauré. Sur la pièce subsistent plusieurs traces de couleurs.

Questo frammento di rilievo, che proviene verosimilmente dal tempio funerario di Deir el-Bahari, rappresenta la regina Hatshepsut con la corona atef. La presenza di questa corona divina dimostra che la regina prende in questo caso l'apparenza di Amon-Ra come dio maschile creatore. A destra, si distingue la parte inferiore di un cartiglio che contiene il <!-->nome di Tuthmosi II, marito e predecessore di Hatshepsut, il che prova che il rilievo é stato martellato e in seguito restaurato. Sul pezzo sussistono numerose tracce di colori.

Este fragmento de relevo, que provém certamente do templo funerário de Deir el-Bahari, representa a rainha Hatchepsut com a coroa-atef. A presença desta coroa divina demonstra que a rainha pretende aqui tomar a aparência de Amon-Ré no seu papel de deus macho e criador. A direita nota-se a parte inferior de uma cartela que contém o <!-->nome de Tutmés II, marido e predecessor de Hatchepsut, o que prova que o relevo foi martelado e depois restaurado. Subsistem ainda na peça muitos vestígios de cor.

Este fragmento de relieve, que probablemente sea originario del templo funerario de Deir el-Bahari, representa a la reina Hatshepsut tocada con la corona-atef. La presencia de esta corona divina demuestra que, en esta imagen, la reina tiene la apariencia de Amón-Re en tanto que macho creador. A la derecha se aprecia la parte inferior de un cartucho con el nombre de Thutmosis II, marido y predecesor de Hatshepsut, lo que demuestra que el relieve fue martilleado y restaurado después. La pieza conserva numerosos restos de color.

This fragment of relief, which probably comes from the funerary temple of Deir el-Bahari, represents queen Hatshepsut dressed in an atef-crown. The presence of this divine crown demonstrates that the queen takes here the aspect of Amun-Re as that of male creator god. On the right, one notices the lower part of a cartouche which contains the name of Thuthmosis II, husband and predecessor of Hatshepsut, which proves that the relief has been hammered and then restored. On the piece several traces of colour remain.

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