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Standort

Internationale Inventarnummer

Inventarnummer

Bezeichnung

Gattung

Typologie

Beschreibung

The statue is one of the most perfect images of Amenemhat III. The king is represented as an aged man with deeply set eyes, protruding cheekbones, and protuberant ears. He sits on a throne with a low back and wears a sehndit and a nemes with uraues; on the temples there are small holes for attaching a beard made of another material (probably metal). On the front surface of the throne are carved two similar symmetrical inscriptions.

The statue is one of the most perfect images of Amenemhat III. The king is represented as an aged man with deeply set eyes, protruding cheekbones, and protuberant ears. He sits on a throne with a low back and wears a sehndit and a nemes with uraues; on the temples there are small holes for attaching a beard made of another material (probably metal). On the front surface of the throne are carved two similar symmetrical inscriptions.

Fundort

Herkunft

Material

Technik

Erhaltungszustand

Farben

Höhe

(cm)

Breite

(cm)

Länge

(cm)

Tiefe

(cm)

Durchmesser

(cm)

Gewicht

(grs)

Datierung

Datierung (Freier Text)

Daterierungskriterien

Götter

Könige

Personen

Schrift
Sprache
Textgattun
Textinhalt
Beschriftungstechnik
Erhaltungszustand des Textes
Hieroglyphen \|A-nTrnfr#24-nb-ir-xt#2-<1-ra-n-mAamA-a-2>-ra-zA-n-X-t-f-<1-i(mn:n)-m-HAt-t-2>- G15#34-! \|B-nTrnfr-nb-ir-xt-<1-ra-n-mAamA-a-2>-ra-zA-n-X-t-f-<1-#b-i(mn:n)-m-HAt-t-#e-2>- G15#34-!
Umschrift nTr [nfr] nb ir(j) (j)x.[t] n(j)-mAa.t-ra sA ra n X.t.f imn-m-HA.t --- mw.t (?) nTr nfr nb ir(j) x.t n(j)-mAa.t-ra sA ra n X.t.f [imn-m-HA.t] --- mw.t (?)
Übersetzung The Younger God, Lord of Action Nimaatre, Son of Re Amenemhat, - - - of (?) Mut (?) - - - The Younger God, Lord of Action Nimaatre, Son of Re Amenemhat, - - - of (?) Mut (?) - - - The Younger God, Lord of Action Nimaatre, Son of Re Amenemhat, - - - of (?) Mut (?) - - - The Younger God, Lord of Action Nimaatre, Son of Re Amenemhat, - - - of (?) Mut (?) - - -

Erwerb

Jahr des Erwerbs

Geschichte des objektes

Probably from the collection of Castiglione; if so, acquired by the Russian Academy of Sciences in 1825 and kept in the Egyptian Museum of the Academy till 1862.
The first record of the statue in the Hermitage dates back to 1871.

Damit in verbinding stehende objekte

Fotografische Referenzen

Bearbeiter des dokuments

Datum der ersten computerregistrierung

Datum der letzten Aktualisierung

Bibliographie

Treu O., Uber die #gyptische Sammlung des Eremitage. St. Petersburg, 1871.
Lieblein J., Die aegyptischen Denkm#ler in St. Petersburg. Helsingfors, Upsala und Copenhagen, Christiania, 1873,S3,no.2.
Gol#nischeff W.S., Inventaire. pp. 84-85,no.729.
Gol#nischeff W.S., Amenemha III et les sphinx de "S#n",-"Rec. de Trav." 15 (1893), pp.131-136.
Matthieu M.E., Iskusstvo drevnego Egipta. Srednee tsarstvo. Leningrad, 1941,p.63,pl.XXXIII.
Matthieu M.E., Iskusstvo drevnego Egipta. Moskva, 1958,pp.89-90,pl.44.
Matthieu M.E.,Pavlov V.V., Pamyatniki iskusstva drevnego Egipta v museyah Sovetskogo  Soyuza. Moscow, 1958,tab.15-16.
Matthieu M.E., Iskusstvo drevnego Egipta. Moskva, 1961,p.185,pl.90.
Lapis I.A., Matthieu M.E., Drevneegipetskaya skul'ptura v sobranii Gosudarstvennogo Ermitazha. Moscow, 1969, p.43, cat.no.6, fig.14.
Matthieu M.E., Iskusstvo drevnego Egipta. Moscow, 1970, pp.86-87, pl.36.
Landa N.B., Lapis I.A., Egyptian Antiquities in the Hermitage. Leningrad, 1974, pl.21,22.

Algemeiner Kommentar


Text comment: 
If the inscriptions really mention Mut, this is the earliest known record of the goddess. However, the interpretation of the vulture hieroglyphs as Nekhbet is also possible (opinion of O.D.Berlev voiced in personal discussion).

Abbildungen	Attachments