The Global Egyptian Museum

Deze oesjabti is niet mummievormig maar draagt een rijk geplisseerd gewaad met een grote pruik. De handen liggen vooraan op de schort, een driehoekig neervallend stuk stof dat typisch is voor de kledij van voorname heren in het Nieuwe Rijk. Zoals vele van deze beeldjes bezit ook dit exemplaar een rugpijler met een opschrift. Op de schort was eveneens een tekst aangebracht. Deze opschriften waren ingelegd met ander materiaal en zijn nu helaas verloren. Ook de ogen en de wenkbrauwen waren ingelegd en moeten het beeldje een zeer levendige blik gegeven hebben. De resten van de inleg tonen aan dat het om blauw materiaal ging. De pruik en de baard waren zwart geverfd.

Instead of the usual appearance of a mummy, this shabti appears in a rich, pleated garment with a large wig. The hands are placed on the front of the apron, on the stiff triangular front piece which characterizes the dress of important men of the New Kingdom. As in the case of similar statues, this shabti has been placed against a back pillar with an inscription. Another inscription was written on the front of the apron. Unfortunately, these inscriptions were composed of pieces of inlay of a different material which are now lost. The eyes and brows were also done as inlays which must have given the face a very lifelike expression. These inlays were blue, as can still be made out from the traces which remain. The wig and beard were painted black.

Cet ouchebti n'est pas momiforme mais porte un vêtement richement plissé et une grande perruque. Les mains sont posées sur un tablier, un morceau d'étoffe triangulaire tombant, qui est typique de l'habillement des notables du Nouvel Empire. Comme beaucoup de ces petites statuettes, cet exemplaire possède un pilier dorsal avec inscription. Sur le tablier il y avait aussi un texte. Malheureusement, ces inscriptions étaient faites d'un autre matériau et sont perdues. Les yeux et les sourcils aussi étaient incrustés, ce qui doit avoir donné à la statuette un regard vivant. Ce qui reste des incrustations montre qu'il s'agissait d'un matériau bleu. La perruque et la barbe étaient peintes en noir.

Dieser Uschebti ist nicht mumienförmig, sondern in reich plissierter Tracht mit einer großen Perücke. Die Hände liegen vorn auf dem Schurz, auf jenem gebauschten, dreieckig herabfallenden Mittelteil, der für die vornehme Männerkleidung des Neuen Reiches charakteristisch ist. Nach Art sonstiger Statuen ist er mit einem Rückenpfeiler gestaltet, der eine Inschrift trug, sowie mit einem Inschriftband vorn auf dem Schurz. Diese Inschriften waren auf Bändern von anderem Material eingelegt und sind leider verloren. Eingelegt waren auch die Augen und die Brauen, wodurch ein sehr lebendiges Aussehen erzielt wurde. Diese Einlagen waren blau, wie man an Resten noch erkennt; die Perücke und der Bart waren schwarz bemalt.

Questo usciabti non è mummiforme, ma indossa un abito riccamente plissettato con una grossa parrucca. Le mani poggiano sul grembiule, un pezzo di stoffa triangolare che dal centro ricade verso il basso a sbuffo. Esso è caratteristico dell'abbigliamento maschile dei nobili del Nuovo Regno. Come molte di queste statuette, questo esemplare possiede un pilastro dorsale con iscrizione. Anche sul grembiule vi era una fascia inscritta. Queste iscrizioni erano fatte di materiale diverso e sono purtroppo andate perdute. Gli occhi e le sopracciglia, che davano vivacità alla figura, erano intarsiati; ciò che resta di tali incrostazioni mostra che si trattava di un materiale azzurro. La parrucca e la barba erano dipinte di nero.

Em vez da usual aparência de múmia, esta estatueta funerária (chauabti em pose de contramestre) aparece com uma roupagem pregueada e rica e com uma vistosa cabeleira. As m&atilde;os est&atilde;o colocadas na frente do avental, na peça triangular que caracteriza a vestimenta dos homens importantes do Império Novo. Tal como no caso de estatuetas semelhantes, esta estatueta funerária encontra-se adossada a um pilar dorsal com uma inscriç&atilde;o. Um outro texto está escrito na frente do avental. Infelizmente, estas inscriç&otilde;es compunham-se de pedaços de embutido de um material diferente, agora desaparecido. Os olhos e sobrancelhas estavam também embutidos e teriam uma express&atilde;o realística. Estes embutidos eram em azul, como se pode ainda ver nos vestígios que deixaram. A cabeleira e a pêra estavam pintadas de preto.

Instead of the usual appearance of a mummy, this shabti appears in a rich, pleated garment with a large wig. The hands are placed on the front of the apron, on the stiff triangular front piece which characterizes the dress of important men of the New Kingdom. As in the case of similar statues, this shabti has been placed against a back pillar with an inscription. Another inscription was written on the front of the apron. Unfortunately, these inscriptions were composed of pieces of inlay of a different material which are now lost. The eyes and brows were also done as inlays which must have given the face a very lifelike expression. These inlays were blue, as can still be made out from the traces which remain. The wig and beard were painted black.

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