The Global Egyptian Museum

Uiteinde met zegel van aardewerken grafkegel met inscriptie, die van binnen zwart is. De tekst staat in drie ongescheiden verticale kolommen en bevat onder andere de cartouche van Thoetmosis III.
Dergelijke kegels werden bij de ingang van het graf geplaatst, waarschijnlijk in het natte pleisterwerk van de bovendrempel. Zo was het brede uiteinde met opschrift voor iedereen te zien.

The stamp end only of a pottery funerary cone, black on the inside. The text is in three vertical, undivided columns and includes the cartouche of Tuthmosis III.
Such cones were placed at the entrance to the tomb, probably pushed into the wet plaster of the lintel. The inscribed end was then visible to all who passed.

Lediglich das gestempelte Ende eines Grabkegels aus Ton, der an der Innenseite geschwärzt ist. Der Text besteht aus drei vertikalen Kolumnen ohne Zeilentrenner; er enthält die Kartusche Thutmosis' III.
Grabkegel wurden an Grabeingängen angebracht, wahrscheinlich wurden sie in den feuchten Putz des Türsturzes geschoben. Das beschriftete Ende war dann für alle, die am Grab vorübergingen, sichtbar.

Stampo di un cono funerario in terracotta, nero nella parte interna. Il testo è disposto su tre colonne verticali, non suddivise e comprendenti il cartiglio di Tuthmosi III.
I coni erano posti all'ingresso della tomba, e venivano probabilmente pressati all'interno dell'intonaco bagnato dello stipite della porta, perché potessero essere visibili a tutti.

Selo de cone funerário em cerâmica, preto no interior. O texto apresenta-se em três colunas verticais, nao divididas, incluíndo cartela de Tutmés III.
Estes cones eram colocados à entrada dos túmulos, provávelmente, pressionados no gesso fresco do lintel. A inscriçao era, assim, visível a quem passásse.

Parte estampillada de un cono funerario de cerámica, negro en la parte interna. El texto está formado por tres columnas sin dividir e incluye un cartucho de Thutmosis III. Estos conos se colocaban en la entrada de las tumbas, probablemente incrustados en el yeso fresco del dintel. El extremo ancho, inscrito, era así visible para todo el que pasaba por delante.

The stamp end only of a pottery funerary cone, black on the inside. The text is in three vertical, undivided columns and includes the cartouche of Tuthmosis III.
Such cones were placed at the entrance to the tomb, probably pushed into the wet plaster of the lintel. The inscribed end was then visible to all who passed.

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Hiéroglyphes N42:I9 M27 M17M17 N5U6M17M17 ! R8U36# Z1Z1:O50:N35 < N5 Y5 L1 > M17*Y5:N35 ! G17 E1 A52 !
Translitération Hmt-f Smayt Mry(t)-Ra Hm-nTr n Mn-xpr-Ra Jmn-m-kA / KA-m-Jmn
Traduction Le Deuxième Prophète de Menkhéperrê (= Touthmosis III), Amonemka (ou Kaemamon), et son épouse, la Chanteuse Merytrê. De tweede profeet van Men-cheper-re (= Thoetmosis III), Amon-em-ka (of Ka-em-amon) en zijn vrouw, de zangeres Meryt-re. The Second Prophet of Menkheperre (= Tuthmosis III), Amunemka (or Kaemamun), and his wife, the Chantress Merytre. Der Zweite Priester des Mencheperre (= Thutmosis III.), Amunemka (oder Kaemamun), und seine Frau, die Sängerin Meritre. Il Secondo Profeta di Menkheperre (=Tuthmosi III), Amunemka (o Kaemamun), e sua moglie, la Cantante Merytre. O Segundo Profeta de Menkheperre (= Tutmés III), Amonemka (ou Kaemamon), e sua esposa, a Cantora Merytre. El Segundo Profeta de Menjeperre (= Thutmosis III), Amonemka (o Kaemamon), y su esposa, la Cantante Merytre. The Second Prophet of Menkheperre (= Tuthmosis III), Amunemka (or Kaemamun), and his wife, the Chantress Merytre.

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