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Translation:
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Category
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Description
Blue faience udjat-eye with purple-black glaze details for the cosmetic line and falcon markings. As the principal symbol of restored health, the udjat-eye was the most common funerary amulet, guaranteeing a sound afterlife.
Translation:
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Blauw faience oedjat-oog met paarszwarte glazuurdetails voor de cosmetische lijn en valkenmarkeringen. Als het voornaamste symbool van herstelde gezondheid was het oedjat-oog het meest voorkomende grafamulet, omdat het een gezond hiernamaals garandeerde.
Oeil-oudjat en faïence bleue. Certains détails, comme le maquillage de l'oeil et les marques du faucon, sont rendus au moyen d'une glaçure violet-noir. Principal symbole de la santé recouvrée, l'oeil-oudjat était l'amulette funéraire la plus utilisée pour s'assurer un au-delà sans danger.
Udjat-Auge aus blauer Fayence mit schwarzpurpurner Glasur für die Details, den Schminkstrich und die Falkenlinien. Als wichtigstes Symbol wiederhergestellter Gesundheit war das Udjat-Auge das häufigste Totenamulett, das ein gesundes Leben im Jenseits garantierte.
Occhio udjat di faience azzurra con dettagli verniciati di nero-viola per la linea di trucco e i segni distintivi del falco. Come simbolo principale di guarigione, l'occhio udjat era l'amuleto funerario più comune, che garantiva una vita ultraterrena ottimale.
Olho-udjat em faiança azul com detalhes do vidrado preto-arroxeado a formar a linha de cosmético e marcas de falcão. O olho-udjat, enquanto símbolo principal da saúde restaurada, era o amuleto funerário mais comum, garantindo uma vida saudável no Além.
Ojo udyat de fayenza azul con detalles de vidriado púrpura en la línea de maquillaje y en los rasgos de halcón. Como principal signo de la salud recuperada, el ojo-udyat era el amuleto funerario más común, garantizando una sana vida en el más allá.
Blue faience udjat-eye with purple-black glaze details for the cosmetic line and falcon markings. As the principal symbol of restored health, the udjat-eye was the most common funerary amulet, guaranteeing a sound afterlife.
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Translation:
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Donated to the museum in 1894 by the Royal Dublin Society.
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Bibliography
Margaret Murray, National Museum of Science and Art, General Guide III. Egyptian Antiquities, Dublin 1910, p. 29.
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