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Painted pottery enjoyed wide popularity during the Nineteenth Dynasty. For funerary purposes, vases were painted to imitate the floral arrangements that such vessels held during festivals. These oval examples with tall necks, two handles on each vase, protruding lips, and rounded bottoms are decorated only on one side. The painted design in red ochre, dark green, light green, and white, has been added hastily on a layer of pale slip, or thinned potter's clay used for coating ceramics. The effect is vibrant and spontaneous and the variegated bands enliven the decoration.
Painted pottery enjoyed wide popularity during the Nineteenth Dynasty. For funerary purposes, vases were painted to imitate the floral arrangements that such vessels held during festivals. These oval examples with tall necks, two handles on each vase, protruding lips, and rounded bottoms are decorated only on one side. The painted design in red ochre, dark green, light green, and white, has been added hastily on a layer of pale slip, or thinned potter's clay used for coating ceramics. The effect is vibrant and spontaneous and the variegated bands enliven the decoration.
لقد وجد الفخار الملون انتشاراً واسعاً خلال عصر الأسرة التاسعة عشرة. ومن أجل أغراض جنائزية، كانت الأوانى الفخارية تلون بحيث تقلد شكل التنظيمات النباتية التى كانت تحملها هذه الآنية نفسها فى أثناء الإحتفالات. ولهذه النماذج البيضاوية أعناق طويلة ويدين على كل جانب وشفاه بارزة، وقاعدة مستديرة. وهى مزينة على جانب واحد فقط. والألوان المستخدمة هى الأحمر، والأخضر الغامق والأخضر الفاتح والأبيض. والتى أضيفت بعجلة على طبقة رقيقة من طين الفخرانى المرقق المستخدم فى تغطية الخزف. ونلاحظ أن التأثير مهزوز وتلقائى، كما أن الشرائط الملونة أنعشت الزخرفة.
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