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The flat silhouette statuette is a conventional image of a woman rendering the contours of the body in a stylised manner. The head is rendered as a rectangle to which hair made of grain might be attached; the nipples are marked by black dots; the abdomen below the waist is decorated by a pattern of coloured triangles, the pubic area is covered by black dots. The woman wears an amulet on her neck, a necklace on her breast, bracelets on her wrists and a band on her waist. The body is painted ochre, the amulette and the necklace are red, the triangle pattern is red, brown and black. Such statuettes had a magic significance and were placed into the tombs of predecessors in order to heal the female infertility.
The flat silhouette statuette is a conventional image of a woman rendering the contours of the body in a stylised manner. The head is rendered as a rectangle to which hair made of grain might be attached; the nipples are marked by black dots; the abdomen below the waist is decorated by a pattern of coloured triangles, the pubic area is covered by black dots. The woman wears an amulet on her neck, a necklace on her breast, bracelets on her wrists and a band on her waist. The body is painted ochre, the amulette and the necklace are red, the triangle pattern is red, brown and black. Such statuettes had a magic significance and were placed into the tombs of predecessors in order to heal the female infertility.
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(cm)
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Longueur
(cm)
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Diamètre
(cm)
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Datation
Datation (texte libre)
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Dieux
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Traduction:
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E
F
G
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Acquisition
Année d'acquisition
Histoire de l'objet
From the collection of Golenischeff; transferred from the Museum of Fine Arts, Moscow in 1930.
Objets associés
Références photographiques
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Date du premier enregistrement informatisée
Date de la dernière mise à jour
Bibliographie
Matthieu M.E., Koptskie i egipetskie magicheskie zhenskie statuetki. TOVE I,1939. p.174, tab.IV. Lapis I.A., Matthieu M.E., Drevneegipetskaya skul'ptura v sobranii Gosudarstvennogo Ermitazha. Moscow, 1969, p.62, cat.no.58.
Commentaire général
Preservation: The pigments are partly lost.
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