The Global Egyptian Museum

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Typology

Description

The flat silhouette statuette is a conventional image of a woman rendering the contours of the body in a stylised manner. The head is rendered as a rectangle to which hair made of grain might be attached; the nipples are marked by black dots; the abdomen below the waist is decorated by a pattern of coloured triangles, the pubic area is covered by black dots. The woman wears an amulet on her neck, a necklace on her breast, bracelets on her wrists and a band on her waist. The body is painted ochre, the amulette and the necklace are red, the triangle pattern is red, brown and black. Such statuettes had a magic significance and were placed into the tombs of predecessors in order to heal the female infertility.

The flat silhouette statuette is a conventional image of a woman rendering the contours of the body in a stylised manner. The head is rendered as a rectangle to which hair made of grain might be attached; the nipples are marked by black dots; the abdomen below the waist is decorated by a pattern of coloured triangles, the pubic area is covered by black dots. The woman wears an amulet on her neck, a necklace on her breast, bracelets on her wrists and a band on her waist. The body is painted ochre, the amulette and the necklace are red, the triangle pattern is red, brown and black. Such statuettes had a magic significance and were placed into the tombs of predecessors in order to heal the female infertility.

Archaeological Site

Provenance

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Technique

Preservation

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Height

(cm)

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Dating

Dating (free text)

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Writing
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Hieroglyphs
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Acquisition

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Object''s History

From the collection of Golenischeff; transferred from the Museum of Fine Arts, Moscow in 1930.

Associated Objects

Photographic references

Editor of record

First Registration Date

Last Update

Bibliography

Matthieu M.E., Koptskie i egipetskie magicheskie zhenskie statuetki. TOVE I,1939. p.174, tab.IV.
Lapis I.A., Matthieu M.E., Drevneegipetskaya skul'ptura v sobranii Gosudarstvennogo Ermitazha. Moscow, 1969, p.62, cat.no.58.

General Comment


Preservation: 
The pigments are partly lost.

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