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The goddess is represented as a sitting lioness-headed woman. She wears a long tightly fitting dress with shoulder-straps decorated with rosettes and with an ending of vertical lines along its upper edge. On the head of the goddess is a tripartite wig crowned by a sun-disk. On her neck there is a wide collar, on her wrists are bracelets. Her hands are lying on the laps, the right hand is open, in the left hand she holds an ankh-sign. She sits on a cubical throne with its lateral sides bearing the traditional compositions symbolising the unification of Upper and Lower Egypt. On the front side of the throne are placed two vertical columns of hieroglyphs - inscriptions A (at the proper left) and B (at the right). The statue is one of the extensive group that had been mounted in the temple of Mut at Luxor by Amenhotep III. It was discovered by Avraam Norov in 1835 during his travel to Egypt in 1835.
The goddess is represented as a sitting lioness-headed woman. She wears a long tightly fitting dress with shoulder-straps decorated with rosettes and with an ending of vertical lines along its upper edge. On the head of the goddess is a tripartite wig crowned by a sun-disk. On her neck there is a wide collar, on her wrists are bracelets. Her hands are lying on the laps, the right hand is open, in the left hand she holds an ankh-sign. She sits on a cubical throne with its lateral sides bearing the traditional compositions symbolising the unification of Upper and Lower Egypt. On the front side of the throne are placed two vertical columns of hieroglyphs - inscriptions A (at the proper left) and B (at the right). The statue is one of the extensive group that had been mounted in the temple of Mut at Luxor by Amenhotep III. It was discovered by Avraam Norov in 1835 during his travel to Egypt in 1835.
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Jeroglíficos
|A-G39&N5-N36-Z1-f-<-i*(mn:n:Htp)-S38*R19->-S42*(x:t)-nb:t-M36:r-w-N31-Q1*(t:Z2)-mr*i*i- X8*anx-! |B-nTr*nfr-nb:N17:N17-<-ra-C10A-nb->-S42*(x:t)-nb:t-M36:r-w-N31-Q1*(t:Z2)-mr*i*i-X8*anx-!
Transliteración
(A) sA ra mrj.f jmn-Htp HqA wAs.t sxm.t nb.t Drw st.w mrjj dj(.w) anx (B) nTr nfr nb tA.wj nb-mAa.t-ra sxm.t nb.t Drw st.w mrjj dj(.w) anx
Traducción
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(A) Son of Re beloved by him Amenhotep, Ruler of Thebes, beloved by Sakhmet, Lady of the limits of places, given life. (B) Young god, Lord of the Two lands Nebmaatre, beloved by Sakhmet, Lady of the limits of places, given life.
(A) Son of Re beloved by him Amenhotep, Ruler of Thebes, beloved by Sakhmet, Lady of the limits of places, given life. (B) Young god, Lord of the Two lands Nebmaatre, beloved by Sakhmet, Lady of the limits of places, given life.
Adquisición
Año de adquisición
Historia del objeto
1835 - discovered and bought by Norov at Louxor; 1837 - acquired by the Academy of Fine Arts, St.Petersburg; 1852 - acquired by the Hermitage.
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Bibliografía
Norov A.S., Puteshestvie...................,pp.138-139,350. Zhil' F., Muzei imperatorskogo Ermitazha. St.Petersburg, 1861, pp.350-351. Treu O., Uber die agyptische Sammlung der Eremitage. St.Petersburg, 1871, p.8. Lieblein J., Die aegyptischen Denkmaler in St.Petersburg. Helsingfors, Uppsala und Copenhagen, Christiania, 1873, S.2, no.1. Golenischeff W., Ermitage Imperial. Inventaire de la collection #gyptienne. S.l., 1891, pp.15-16, no.149. Matthieu M.E., Iskusstvo Novogo tsaratva. Leningrad, 1947, p.45, tab.YII,I. Matthieu M.E., Pavlov V.V., Pamyatniki iskusstva drevnego Egipta v museyah Sovetskogo Soyuza. Moscow, 1958, fig.43. Matthieu M.E., Iskusstvo drevnego Egipta. Moscow, 1958, p.105. Lapis I.A., Matthieu M.E., Drevneegipetskaya skul'ptura v sobranii Gosudarstvennogo Ermitazha. Moscow, 1969, pp.94-96, cat.no.102, tab.III,102, fig.66. Landa N.B., Lapis I.A., Egyptian Antiquities in the Hermitage. Leningrad, 1974, pl.36,37.
Comentario general
Preservation: The sun-disk, left arm, ankh-sign, fingers of the right hand, feet, the back of the throne, the front of the base are damaged.
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