The Global Egyptian Museum

Dit funeraire beeldje in beige faience, dat dateert uit de Late Periode, behoorde toe aan Padihormeden, zoon van Tadimoet. Verschillende Egyptische collecties in België en in de hele wereld bewaren oesjabti's van deze persoon. Het stuk maakte deel uit van de collectie G. Hagemans, aangekocht door het Museum in 1861.

This funerary statuette in beige faience, dating from the Late Period, belongs to Padihormeden, son of Tadimont. Many egyptian collections  of Belgium and in the whole world preserve the shabtis of this person. The piece was part of the G. Hagemans collection, purchased by the Museum in 1861.

Diese Totenfigur aus beigefarbener Fayence, die aus der Spätzeit stammt, gehörte Padihormeden, dem Sohn der Tadimut. Mehrere ägyptische Sammlungen in Belgien und in der ganzen Welt besitzen Uschebtis dieses Mannes. Das Stück gehörte zur Sammlung G. Hagemans, die 1861 vom Museum angekauft wurde.

Questa statuetta funeraria di fayence beige, che risale a Epoca Tarda, apparteneva a Padihormeden, figlio di Tadimut. Numerose collezioni egiziane in belgio e nel mondo intero conservano degli usciabti di questo personaggio. Il pezzo faceva parte della collezione G. Hagemans, acquistata dal Museo nel 1861.

Esta estatueta funerária de faiança bege, datando da Época Baixa, pertenceu a Padihormeden, filho de Tadimut. Muitos acervos egípcios da Bélgica e de todo o mundo guardam estatuetas funerárias desta personagem. A peça fazia parte da colecçäo G. Hagemans, tendo sido comprada pelo Museu em 1861.

Esta estatuilla funeraria de fayenza beige, que data de la Baja Época, pertenecía a Padihormeden, hijo de Tadimut. Muchas colecciones egipcias de Bélgica y de todo el mundo conservan ushebtis de este personaje. La pieza formaba parte de la coleción G. Hagemans, comprada por el museo en 1861.

This funerary statuette in beige faience, dating from the Late Period, belongs to Padihormeden, son of Tadimont. Many egyptian collections  of Belgium and in the whole world preserve the shabtis of this person. The piece was part of the G. Hagemans collection, purchased by the Museum in 1861.

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