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Translation:
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Category
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Description
Slender mummiform shabti from a mould, with a flat back. The voluminous wig is striking because this type was only used for shabtis after the middle of the 18th Dynasty. There are traces of red, black and yellow paint.
Translation:
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Slanke mummievormige oesjabti, gevormd in een mal, met een platte rug. De volumineuze pruik is opvallend, want dit type werd alleen gebruikt voor oesjabti's na het midden van de 18e dynastie. Er zijn sporen van rode, zwarte en gele verf.
Mince ouchebti momiforme fabriqué au moule. Le dos est plat. La perruque est volumineuse. Ce genre de coiffure est utilisé pour les ouchebtis à partir du milieu de la XVIIIème Dynastie. Il reste des traces de peinture rouges, noires et jaunes.
Der schlanke mumienförmige Uschebti ist in einer Model geformt, die Rückseite ist glatt abgestrichen. Auffällig ist die voluminöse Perücke, die ab der Mitte der 18. Dynastie auch bei Uschebtis verwendet wird. Farbrest in Rot, Schwarz und Gelb sind erkennbar.
Slanciato usciabti mummiforme con il retro piatto, ottenuto con uno stampo. Particolarmente vistosa è la voluminosa parrucca, usata anche per gli usciabti a partire dalla metà della XVIII dinastia. Vi sono tracce di pittura rossa, nera e gialla.
Chauabti mumiforme elegante feito por molde, com base lisa. A cabeleira voluminosa era usada pelos chauabtis a partir da XVIII Dinastia. Tem vestígios de pintura vermelha, preta e amarela.
Delgado ushebti momiforme realizado con molde. La voluminosa peluca es sorprendente y se utilizó en los ushebtis a partir de mediados de la Dinastía XVIII. Hay restos de pintura roja, negra y amarilla.
Slender mummiform shabti from a mould, with a flat back. The voluminous wig is striking because this type was only used for shabtis after the middle of the 18th Dynasty. There are traces of red, black and yellow paint.
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Translation:
D
E
F
G
I
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S
A
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Erwerbungsumstände unbekannt, alter Bestand.
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Bibliography
Reiser-Haslauer, E., Uschebti, Teil I. Corpus Antiquitatum Aegyptiacarum (CAA) Wien 5 (1990) 143-144.
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