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Images
Basic Info
Characteristics
Dating
Actors
Textual Data
Reference
Present location
International Inventory number
Inventory number
Designation
Translation:
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Category
Typology
Description
A gold bracelet, the ends of which represent stylised rams' heads, the gold wire twisted to resemble the horns.
Translation:
D
E
F
G
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S
A
Gouden armband waarvan de uiteinden gestileerde ramskoppen voorstellen. Het gouddraad is gedraaid om op hoorns te lijken.
Bracelet en or dont les extrémités représentent des têtes de bélier. Les cornes sont rendues au moyen d'un fil d'or torsadé.
Ein goldener Armreif, dessen Enden als stilisierte Widderköpfe gestaltet sind mit Golddrahtwickelungen zur Angabe der Hörner.
Braccialetto in oro le cui estremità rappresentano teste stilizzate di ariete, con il filo d'oro annodato a ricordare le corna.
Pulseira em ouro com cabeças de carneiro estilizadas, representadas nos extremos, e fio de ouro espiralado, imitando cornamenta.
Brazalete de oro cuyos extremos representan cabezas de carnero, con la banda de oro retorcida para simular los cuernos.
A gold bracelet, the ends of which represent stylised rams' heads, the gold wire twisted to resemble the horns.
Archaeological Site
Provenance
Materials
Technique
Preservation
Colours
Height
(cm)
Width
(cm)
Length
(cm)
Depth
(cm)
Diameter
(cm)
Weight
(grs)
Dating
Dating (free text)
Dating Criterion
Gods
Kings
Persons
Writing
Language
Category of text
Text Content
Writing Technique
Preservation of Text
Hieroglyphs
Transliteration
Translation
Translation:
D
E
F
G
I
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A
Acquisition
Year of Acquisition
Object''s History
From the private collection of Joseph Mayer and given to the museum in 1867. See for more information object M13519, Object's History.
Associated Objects
Photographic references
Editor of record
First Registration Date
Last Update
Bibliography
Piotr Bienkowski and Angela Tooley, "Gifts of The Nile: Ancient Egyptian Arts and Crafts in the Liverpool Museum", 1995, 79; pl. 124. P.H.K. Gray and Dorothy Slow, "Egyptian Mummies in the City of Liverpool Museums", 1968, 50-56.
General Comment
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